The Delhi Metro, a lifeline for millions in IndiaтАЩs bustling capital, witnesses a staggering number of commuters each year, more than the entire population of the United States! With Delhi being one of the most densely populated and polluted cities in the world, the Metro plays a crucial role in managing the cityтАЩs ever-increasing urban sprawl. But have you ever wondered where your fare goes or how this massive transport system impacts DelhiтАЩs dynamics? In this blog, weтАЩll explore the most interesting facts about the Delhi Metro, from its cutting-edge technology and sustainability efforts to its effect on pollution, population, and urban growth. While most might think of it as simply a mode of transportation, the Delhi Metro has a much deeper impact on the environment, social welfare, and even popular culture. Let us uncover the fascinating world behind one of the busiest metro systems in the world!┬а(Delhi Metro)
1.A Positive Contributor to the Environment
You might assume that a massive rail network like the Delhi Metro contributes to the cityтАЩs pollution, but it actually does the opposite! The Delhi Metro is certified by the United Nations as the worldтАЩs first rail-based system to receive *carbon credits* for reducing greenhouse gas emissions. It helps reduce a whopping 624,000 tonnes of greenhouse emissions annually in the city. This eco-friendly initiative makes the Delhi Metro a critical asset in the fight against air pollution in the capital.
Did you know that your metro fare is indirectly contributing to the welfare of street children? The Delhi Metro Rail Corporation (DMRC) has taken a unique initiative by running a childrenтАЩs home for the betterment of underprivileged children. The money collected from fares supports this home, which is equipped with dormitories, classrooms, computer rooms, and many other resources to help educate and nurture these young ones. This initiative is a beautiful blend of transportation and social responsibility.┬а
3.Why Metro Trains Have an Even Number of Coaches
Have you ever wondered why the Delhi Metro always has an even number of coaches? The answer is quite technical but fascinating! Metro trains once operated with four coaches, and now many have six or eight. This is due to the two types of coaches in the metro system: the тАШDтАЩ car, which is the driverтАЩs cabin that pulls electricity from overhead wires, and the тАШMтАЩ car, which is the motor car. The тАШMтАЩ car houses three-phase induction motors responsible for power transmission. Together, the тАШDтАЩ and тАШMтАЩ cars function as one operational unit, and they cannot run independently. Thus, metro trains always operate with an even number of coaches.┬а
┬а4.AsiaтАЩs Largest Escalator at Janakpuri┬а
If youтАЩve traveled through the Janakpuri West metro station, you may have noticed something extraordinary тАУ it houses AsiaтАЩs largest escalator! At a staggering height of around 5 floors, this escalator has become one of the key attractions at the station, adding a new level of grandeur to the cityтАЩs metro infrastructure.
5. A Star of the Silver Screen
The beauty of the Delhi Metro has not gone unnoticed by filmmakers. Many iconic movies have featured scenes shot on the metro, making it a recognizable symbol across India. The first movie to be filmed here was Bewafaa in 2003, followed by many others like Delhi-6, Love Aaj Kal, PK, and Paa. Its sleek design and modern aesthetic have made it a preferred location for shooting, reflecting the cityтАЩs evolving landscape.
The Delhi Metro Is much more than just a way to get from point A to point B. ItтАЩs a sustainable solution for DelhiтАЩs pollution, a supporter of social causes, a host of record-breaking infrastructure, and a favourite among filmmakers. The next time you step into a metro station, take a moment to appreciate the role it plays, both in your life and in the cityтАЩs broader landscape.┬а
Dariba Kalan, located in the Old Delhi region, is a famous street that began to be constructed in the 17th century rich in artistic endeavors and commercial activities. In that context, this street ‘Dariba Kalan’ which means Street of the Incomparable Pearl, is a walking proof of the deep-seated mughal history which can be credited as a legacy back to the rule of Emperor Shah Jahan. Anyway, Dariba Kalan has remained distrait to the people but has only merged herself in picturesqueness, jewelry shops and local activities over the years. This 2-kilometer-long street is also filled with elaborate patterns of decorative gold, silver and tribal ornaments draping centuries-old history around them.
┬аHistorical Significance
Dariba Kalan dates back to the era of great Shah Jahan. The term “Dariba” is derived from a Persian phrase “Dur-e be-baha” which literally translates to ‘pearl without a parallel while Kalan means big in Persian. As word suggests, this place was once full of jewelers, workmen, and retailers selling ornamental, gold and silver items. This particular market area, established in the 17th century, catered to royal households, particularly that of the queens, earning it a status of an aristocratic retail sector.
Nevertheless, the thoroughfare is also blighted by darker histories. For example in 1739 when Nadir Shah invaded, Dariba also experienced and witnessed mass killings and pillage. Nevertheless, this stunning street has not only survived, but also thrived as a unique component of the city’s history, capable of retaining its characteristic features for centuries.
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USP of Dariba Kalan– Apart from the fact that it selis a lot of jewellery, there is really no other unique selling proposition for Dariba Kalan. This narrow and aged and narrow street has been a haven for gold and silver ornaments for centuries, so one can still spot many a window shopper hoping to find some traditional and vintage jewellery. The shops are quite old, some of them even go back to the early nineteenth century; and everything between silver antiques to chuda and kallirey bridal jewellery can be found in the shops over here. This has been the case with many other names like Meerimal Sultan Singh Jain, Dhannumal Jagadhar Mal and Lily Diana, where shops have been established for many years and generation after generation, children have taken over the running of the businesses.
Yet another rich aspect of Dariba is that it is reasonably successful in marrying the age old practices with new age demands. You will also come across some Nepal and Tibetan jewelleries thus contributing to the market premised diversification. Besides jewelry, Dariba Kalan is also well known for the attar (natural perfumes) shops found within it. Perfume museums, as well as this fragrance harvest, are based on a skill that has been handed down through the years, which is quite the art, that of plunging essences into petals and leaves. Taking an olfactory trip down these old fashioned fragrances proves to be quite satisfying and therefore propels Dariba as one of the ideal shoppers’ paradise.
┬аCulinary Delights of Dariba
Dariba Kalan additionally entices visitors with its culinary offerings. The street is dotted with various eating joints including Old Famous Jalebi Wala, a delightful dessert shop that has been serving piping hot and dipped in syrup-crispy jalebis since the year 1844, this particular vendor who is positioned right at the entrance is quite popular amongst the locals and is needless to say, an addition worth making to the itinerary if the intention is going shopping with some sugary elements attached to it.
On par with this establishment is Shree Bala J Kachori Bhandar, which spoils one for choice with delectable breakfast items including but not limited to kachori-aloo and bedmi poori. Such culinary landmarks tilt the balance towards a street that is otherwise popular for food in Old Delhi.
┬аArchitectural Heritage
In addition to the thriving stores, Dariba Kalan has architectural wonders too. The stretch comprises of many havelis or Indian mansions and other constructions from the Mughal period, some of which are in good condition while others bear the scars of Time. One such structure is the Khazanchi Ki Havell, which was the residence of the Mughal treasurer but now sits in ruins, a shadow of Dariba’s glorious past. Also, Naughara Lane which is located not far, has nine beautifully patterned houses that present an Insight into the traditional architectural and cultural practices of the people of Delhi.
Kinari Bazaar
Lying adjacent to the famous Dariba Kalan is the noisy Kinari Bazar, a very marika! It starts at Prem Chand Gole Wale Chowk and is famous for its decorative Items like gota patti, lace, wedding turban, shagun, decorative trays, jewel boxes, etc. et cetera. Kinar Bazaar is also the same bazaar which gets its name from kinari, which means borders. These borders are attached to the sarees and suits. All the embellishments for bride’s and bride’ s family attire and house chandeliers can be found here.
Almost all the items in Kinari Bazaar are sold in wholesales, though some patterns of these as plain and simple items are also available. How prevalent this is depends on what you are looking for, and the most basic knickknack, such as wedding ornaments, fabrics or any toss in between are in bulky unbelievable spectrum. Kinari Bazaar might be small with tiny cramped up shops, but the quality and distinctiveness of its many different fits products makes it A must go place for the native as well as the visitor.
Dariba Kalan along with nearby Kinari Bazaar is enriched with historical aspects, bustling markets, and culture, which is just a small portion of what makes it more Interesting to explore. From beautiful jewelery and fragrant attar shops to a wide collection of decorative borders and low-cost fabrics, these streets exhibit the assimilation of modernity with history, it does not matter if you are a history buff, a jewelry patron, or a culinary explorer, the markets do offer an amazing experience of the Old World Delhi in all its glory.
The Malai Mandir, located on a serene hill in South Delhi, is one of the maximum beautiful religious centers for devotees of Lord Murugan (Karthikeya), who is worshipped predominantly in Tamil Nadu. The temple is famend not handiest for its non secular importance but additionally for its beautiful Dravidian architecture and the colourful colorations that characterizes its design. This blog delves into the architectural beauty of Malai Mandir and the precise play of colours that adds to its visual and religious attraction.
The Malai Mandir, whose name means “hill temple” in Tamil, become built to serve the Tamil-talking network of Delhi. Lord Murugan, to whom the temple is devoted, is a deity related to valor, young people, and information. As the son of Lord Shiva and Goddess Parvati, he’s frequently depicted as a warrior god driving a peacock, and his followers see him as a supply of non secular power and safety.
The temple’s location on a hill complements its religious environment, allowing devotees to sense a feel of tranquility and detachment from the bustling town below. Malai Mandir is not just a temple, but a cultural image of harmony for the Tamil network in Delhi, supplying a space for cultural and spiritual gala’s, specifically the famous Thaipusam and Skanda Shasti celebrations.
Architectural Grandeur of Malai Mandir
As a temple of cultures, the Malai Mandir architecture is an example of traditional Dravidian architecture. That mainly features flanking gopurams, rich in carving and stone structures. The design derives a lot of inspiration from the architecture of the temples of Southern India so that the devotees can be transported to the temple cities of Tamil Nadu.
The Gopuram and Vimana
Another unique aspect of the temple is a prominent feature found at the temple entrance, which is the gopuram. It is a pyramidal structure with multiple stories as well as numerous wooden and other sculptures of gods, heavenly beings and myths of gods. This entrance is not only an adornment but also indicates the architectural stage where heaven and earth meet, for it is the last physical structure passed before the worshippers enter the temple.
Another case of an architectural wonder is the tower constructed just over the sanctum sanctorum or the vimana. It is more modest in proportion and embellishment than the gopuram but no less ornately decorated as it depicts the dweling place of the deity. Typically, the base of the vimana consists of the sculptures of Lord Muruga on a peacock and vel, symbolizing the strength and power of the Lord and his weapon respectively.
Pillars and mandapam
Pillared halls of enormous proportions known as mandapams, also forms part of the temple providing space for gatherings and the performance of rituals. The pillars are elaborately cut out with motifs and figures. In the case of southern temples, these stone pillars are also taken into consideration because it makes the temple look solid as well as timeless, a quality worth for any temple.
A play of colours in architecture
What makes of Malai Mandir also unique and different from most other temples is its use of bright colors in many places within the temple. The designing of Malai Mandir on the other hand makes use of many bright colors especially in the pictures of the gods and the religious images, something not often admired in many temples.
Exterior and stonework
The temple orthography is plain and unassuming and is dominated by vermiculated beige and yellow sandstone. It helps to create a seamless transition from the structure to the terrain, in particular the hill upon which the temple is built. Generally, the Bed and the Wall cavity tend to be clad in more subdued colors of brown, white and gray, but rim treatment and inscriptions in the wall surfaces are more colorful with red, blue and gold colors portraying different energies.
The gopuram on the other hand is also described as painted going up from base to pinnacle which is as soul as the stages of spirituality as detailed in the gopuram. It is also very common to see phallic cult objects in temples. Gold, as a neural-elected color suggesting spiritual energy often sits along with a lot of the drama within the temples on pictures of red deity carving outlines towards the images of deities.
Interiors: A riot of colors
The interior of Malai Mandir is a very distinctive visible experience, with partitions embellished in vibrant colorations and patterns. The ceiling of the primary mandapam regularly capabilities complicated paintings, depicting scenes from the life of Lord Murugan, his battles with demons, and his benefits to devotees. These work of art are created the usage of ambitious sunglasses of yellow, inexperienced, and blue, with gold leaf highlights to signify the divine nature of the depicted activities.
The statues of Lord Murugan, his consorts, and different deities in the temple also are richly adorned. The deities are draped in bright silk gowns, with embellishes that glimmer in gold and silver. These rich, colorful textiles carry a sense of grandeur and joyful celebration to the temple, mainly for the duration of unique events when the statues are elaborately embellished with garlands of clean flora.The temple’s lighting fixtures in addition complements the play of colours inside the space. Soft, warm light illuminates the brilliant interiors, casting a divine glow over the principal sanctum and making the colours greater pronounced, specifically all through evening prayers while the temple is full of the sounds of devotional music and the glow of oil lamps.
The Spiritual Experience of Color
The numerous colours used in the temple’s structure are not simply aesthetic selections. In Hindu lifestyle, shades preserve deep symbolic meaning. Red, for instance, represents energy and electricity, at the same time as yellow and gold are associated with expertise and know-how. Blue regularly represents the countless and divine, as visible in depictions of Lord Vishnu and Lord Shiva.
In Malai Mandir, using those colorings targets to evoke unique spiritual feelings in devotees. The outdoorsтАЩs more subdued tones encourage contemplation and consciousness, whilst the colourful interiors create a sense of divine beauty and birthday party. This considerate use of shade facilitates beautify the religious adventure of the worshippers, providing them a multisensory revel in that deepens their connection to the divine.
Malai Mandir stands as a unique combination of lifestyle and inventive expression, its structure a testament to the richness of South Indian temple layout. The colourful colorings that enhance the temple, both interior and out, play a important position in developing a spiritual atmosphere this is as visually beautiful as it is deeply symbolic. For devotees and traffic alike, the temple gives now not just a place of worship but a space in which artwork, coloration, and spirituality come collectively to create a harmonious enjoy.
Whether you go to for its non secular significance, its architectural splendour, or its cultural importance, Malai Mandir stays considered one of DelhiтАЩs hidden gemstones, providing a non violent retreat infused with the vibrant spirit of South India.
Research by Khushi Aggarwal/Edited by – Pardeep Kumar
SafdarjungтАЩs Tomb, considered one of DelhiтАЩs most prominent architectural landmarks, stands as a testimony to the metropolis’s rich history. Built in 1754, it became the last grand Mughal lawn tomb constructed in India, marking the end of an technology. Unlike other tombs in Delhi, which frequently residence the stays of emperors or royalty, SafdarjungтАЩs Tomb is unique as it’s far the resting location of a prime minister, now not a king or prince, making it historically enormous in a unique context.
The man behind the monument: Safdarjung
Mirza Mukeem Abul Mansoor Khan, nicknamed Safdarjung, was a powerful Nawab of Oudh (now Uttar Pradesh) and served as the High Commissioner (Wazir) of the Mughal Empire during the reign of Emperor Ahmad Shah Bahadur. Safdar Jang was born in Persia, and gained fame through his military prowess and political acumen. His role as general gave him great power, although he faced considerable political struggle within the empire.
Though Safdar Jang was not a royal by birth, his influence in Mughal politics necessitated the construction of this magnificent mausoleum. The tomb reflects the high esteem in which he was held and the glory of his political and military career.
The Tomb’s Architecture: A blend with of Persian and Indian styles
Designed by an Ethiopian architect, Safdar JungтАЩs tomb displays a mixture of Persian and Indian architectural styles. The tomb is often compared to the iconic tomb of Humayun, which inspired its design, but it has unique features that make it impressive in its own right
The building is constructed of red sandstone and buff stone, with magnificent marbles, showing the grandeur of the Mughal style. The central dome, which has recently been attempted to be restored by the Archaeological Survey of India (ASI), is a magnificent feature that commands the surrounding garden skyline ASI’s restoration project aims to preserve the dome’s interior stucco work if it has ensured the longevity of this historic monument.
The cemetery sits amidst the Charbagh Gardens, a typical Mughal design symbol of paradise. Divided into four quadrants by paths and channels, this garden was designed to enhance the peaceful and sacred aura surrounding the tomb.
Architectural highlights
One of the most putting functions of Safdarjung’s Tomb is its principal octagonal chamber wherein Safdarjung’s stays relaxation. The tricky latticework on the windows, which allows mild to filter into the tomb, creates an airy surroundings inside the mausoleum. The tomb also features extraordinary gateways, every crafted with specified ornamentation, showcasing the craftsmanship of the era.
The monument has 4 minarets and a grand gateway, which is inscribed with a Persian couplet that interprets to: тАЬWhen the hero of simple bravery departs from the transitory, might also he emerge as a resident of GodтАЩs paradise.тАЭ These capabilities collectively represent SafdarjungтАЩs prominence and the Mughal architectural mastery that emphasized symmetry, share, and tricky detailing.
Historical significance
While Safdarjung changed into a high minister and now not a member of the imperial own family, the development of this sort of grand tomb highlights the huge function that viziers and ministers performed at some stage in the later Mughal duration. The tomb is a image of the shift in energy dynamics within the declining Mughal Empire, in which officials like Safdarjung held more power than the emperor himself.
The tomb additionally marks the end of the Mughal architectural culture in India. After SafdarjungтАЩs Tomb, the Mughal architectural style started out to decline, and no similarly grand monuments of such scale had been constructed. Thus, the tomb stands now not handiest as a memorial to Safdarjung however also as a monument to the last days of Mughal glory.
Preservation and restoration In latest years, the Archaeological Survey of India (ASI) has undertaken numerous initiatives to repair and maintain SafdarjungтАЩs Tomb. Restoration work, specifically on the dome, is important to preserving the monumentтАЩs structural integrity and its aesthetic splendour. The ASI has been running meticulously to restore the broken sections of the tomb, including the critical dome, which had suffered from put on over the centuries due to weather and forget.
This healing isn’t handiest approximately maintaining the monument for future generations however additionally about respecting the rich historical past of Mughal structure. The paintings is expected to be finished through July, making sure that the tomb stays a important part of DelhiтАЩs historic panorama.
Visiting Safdarjung tomb
SafdarjungтАЩs Tomb is located in the heart of Delhi, making it easily available to visitors. It stays a popular web page for vacationers, historians, and locals alike. The serene gardens surrounding the tomb provide a peaceful retreat from the hustle and bustle of the metropolis, at the same time as the complicated architecture affords a glimpse into the craftsmanship of the Mughal era.
As visitors stroll thru the grand gateway and explore the tomb and gardens, they are transported back in time to an technology of Mughal beauty, wherein the tomb of a top minister may want to rival that of an emperor. The tombтАЩs combo of Persian and Indian styles, coupled with its historical importance, makes it one of the have to-visit monuments in Delhi.
SafdarjungтАЩs Tomb isn’t always only a monument; it is a symbol of a converting generation in Mughal India. It stands as a reminder of the electricity held by way of men like Safdarjung during the waning days of the empire. Its particular position as the tomb of a top minister rather than a royal makes it a big ancient website online, while its lovely architecture maintains to captivate site visitors. The ongoing healing efforts by way of the ASI ensure that this monument will maintain to inspire and teach destiny generations about DelhiтАЩs wealthy and diverse beyond.
SafdarjungтАЩs Tomb, in its grandeur and records, serves as a window into the complexities of Mughal politics, culture, and structure, making it a jewel in DelhiтАЩs rich historical past
Research by- Khushi Aggarwal/Edited by- Pardeep Kumar
Nestled in the heart of New DelhiтАЩs Connaught Place, the iconic Regal Theatre stood as a testament to the cityтАЩs cinematic and cultural evolution for more than eight decades. Opened in 1932, this landmark building not only showcased films but also carried with it the spirit of a generation, melding the cultural and political threads of a newly forming India.(Regal Cinema)
A Grand Beginning
Regal Theatre was the first to open its doors in Connaught Place, designed by Walter Sykes George, an architect also known for other prestigious structures such as St. Stephen’s College and Sujan Singh Park. The theatre’s architectural splendor is a blend of Georgian elegance and Mughal grandeur, encapsulating both colonial sophistication and India’s rich artistic heritage. Its imposing facade and crescent gallery housed a story that spanned generations.
From its inception, the Regal wasnтАЩt just about cinema. It was a venue that embraced the performing arts, hosting ballets, English plays, and performances from renowned Russian theatre groups. Its stage came alive with drama and grandeur, setting a standard for artistic expression in pre-independence India.
Talkies and Hindi Films
When тАЬtalkiesтАЭ arrived in the early 1930s, cinema took a giant leap, and Regal Theatre was at the forefront of this revolution. It became the first theatre in Connaught Place to screen Hindi films, catering to the rising demand for Indian cinema. This marked the start of its long-standing relationship with Bollywood, a bond that would grow stronger as decades passed.
Old Picture of Regal Theatre
A Hub for Film Premieres
Regal became the destination for some of the most iconic film premieres. It was the hallowed ground where Hollywood classics like Gone with the Wind (1940) made their grand debut in India, alongside Bollywood gems like Bobby (1973). The theatre hosted premieres that drew crowds from across the city, and its red-carpet events often welcomed luminaries like Raj Kapoor and Nargis, whose larger-than-life portraits still adorned its crescent gallery.
The nostalgia of these star-studded evenings added to the magic Regal created for its patrons. The sight of film stars walking into the theatre, the excitement that buzzed through the air, and the awe of audiences , it was all part of RegalтАЩs legendary appeal.
A Stage for History
Regal was more than just a cinema hall,it was a witness to history. Over the years, it hosted political figures who shaped IndiaтАЩs destiny. Jawaharlal Nehru, Indira Gandhi, and Lord Mountbatten, among others, visited the theatre, elevating its cultural status beyond just a place for entertainment. For many, Regal became a symbol of DelhiтАЩs evolving identity, a place where politics, cinema, and culture converged.
Decline and Farewell
Despite its illustrious history, Regal Theatre could not remain immune to the wave of modern multiplexes that began sweeping through the country in the 1990s. The rise of multiplexes like PVR Anupam marked the beginning of RegalтАЩs decline. By the 2000s, the theatre was screening B-grade Bollywood films, losing its sheen and relevance in a rapidly changing entertainment landscape.
The final curtain fell on March 31, 2017, when Regal screened its last film, Phillauri, starring Anushka Sharma. On that bittersweet day, Regal was decked out in flowers, resembling a marriage venue as patrons, old and new, gathered for a final goodbye. Specially printed pamphlets were handed out as mementos of the theatreтАЩs historic journey, and the grand portraits of Raj Kapoor and Nargis watched over the crowd one last time. It was an emotional end to an era.
Although Regal Theatre no longer stands as the cinematic hub it once was, its legacy endures. The memories of its grandeur, its contributions to the cultural fabric of New Delhi, and the countless magical evenings it provided to its patrons continue to live on. Regal wasnтАЩt just a cinema hall, it was a cornerstone of the cityтАЩs history, a witness to the unfolding stories both on and off the screen.
As time moves on and new theatres rise in its place, the memories of Regal remain, like an old film reel playing in the minds of those who walked through its doors. Regal Theatre is an old, never-ending memory, etched into the heart of Delhi, where nostalgia and history blend like scenes from a timeless movie.
Written by- Khushi Aggarwal/Edited by- Pardeep Kumar
In the bustling area of Satya Niketan, located near South Campus of Delhi University, students, faculty, and locals flock to enjoy vibrant youthful energy and a variety of cafes. While some spots steal the limelight, there’s a hidden gem that has quietly become a go-to place for tea lovers- Tea Moments.
Opened on April, 2023 , this rapidly growing cafe has quickly earned a loyal customer base. The cafe serves a wide variety of tea that have been meticulously prepared using hygienic, high-quality ingredients.
Affordable Price
With prices ranging from an unbelievably affordable from тВ╣12 to тВ╣25 , Tea Moments caters to everyone, from budget-conscious students to faculty members and even parents who want to enjoy a relaxing cup of chai.
What sets Tea Moments apart from the many other cafes in Satya Niketan is not just its affordability or the diverse range of teas but the welcoming atmosphere created by its friendly owner. His passion for tea and commitment to quality has resonated with the crowd. Umesh’s background, rooted in his fatherтАЩs legacy (his father received a National Award for Handicrafts), reflects the dedication to craftsmanship and customer satisfaction, making every visit here feel personal and warm.
Despite starting small, Tea Moments has grown rapidly, thanks to its unbeatable combination of quality, hospitality, and affordability. The cozy environment adds to its charm, making it the perfect spot for anyone looking to spend some quality time, whether itтАЩs catching up with friends, enjoying some alone time, or having a quick tea break between classes.
Tea Moments is also conveniently located at 1/334 Motibagh, a short distance from the bustling heart of Satya Niketan. ItтАЩs not just a place to grab tea, itтАЩs a heaven for those who cherish authentic chai experiences at pocket-friendly prices.
Besides the amazing tea,the caf├й is close to several attractions:
1.)Motibagh Gurudwara : A beautiful Gurudwara located at just 500 metres away, attracting many religious visitors.
2.)Hostels and PGs : Due to nearby colleges,the area has plenty of accommodation options within walking distance.
3.) Nearby colleges: Major institutions like Sri Venkateshwara college, Atmaram sanatan dharma college, Ramlal Anand College, Maitreyi College,Jesus and Mary college and Aryabhatta college are all nearby making tea moments a go to place for students.
Satya Niketan is known for its vibrant caf├й culture, sometimes called тАЬcaf├й-laneтАЭ due to many cafes in this area.Despite the competition, Tea moments stands out with its affordable,high quality teas and cozy atmosphere,offering a unique experience that keeps people coming back.
So, if you find yourself in the Satya Niketan area, make sure to stop by Tea Moments. Whether you’re a student, professor, or simply someone who enjoys a good cup of tea, this place promises a delightful experience that keeps people coming back.
Nearest metro station:Durgabai Deshmukh metro station (Pink line and Airport expressway)
Distance from station: 200 metres
Come for the tea, stay for the moments.
Story by- Khushi Aggarwal/Edited by- Pardeep Kumar